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Patience Portefeux is a French-Arabic police translator, specialized in phone tappings for the anti-narcotics unit. The job is tough and low-paid, but the commander is charming… One day, whilst listening to wanted drug dealers, she discovers one of them is the son of the fantastic woman who takes care of her mother. She decides to protect him and is brought in the middle of a drug network. When she gets her hands on a huge load of hash, with the help of her new partner, the former police dog DNA, she seizes the opportunity and becomes Mama Weed, drug wholesaler, thanks to her field experience… and all the information she gets in her job!
Set in Cape Town, South Africa Mama Jack is the story of Jack Theron, an ordinary person working on a film set. However, his movie producer boss hates him and wants to remove him from the production of the film. In a bid to get rid of Jack, the producer spikes his drink with a drug at a glamorous function, and before long Jack has got himself on the wrong side of the law. While on the run, Jack turns to his friend, a make-up artist, who turns him into “Mama Bolo”. Mama Bolo soon finds “herself” employed by the producer’s fiancée, Angela. A series of deceptions and misunderstandings pile up and comic mayhem ensues with Jack Theron becoming another character, Doctor Donald, a tramp from Scotland.
In 2012, one in three babies in America were delivered by c-section, despite the World Health Organization’s recommendation that Cesarean births remain below 15 percent. How can these disturbing trend be reversed? In recent years, the idea of a collaborative care practice where doctors and midwives manage women’s care together has begun to gain traction in the United States. The Mama Sherpas is a feature-length documentary film about women receiving their maternity care through midwife-doctor teams. We follow nurse midwives, the doctors they work with, and their patients to provide an investigative lens into how midwives work within the hospital system.
A story about a chance encounter that momentarily destroyed a successful and happy family life. All of a sudden the woman found passion and desire more important than her loving husband and cherished child. The father and son suffer from the realization that they are no longer needed, but try to understand and forgive. The woman, who failed to become happy, is in turmoil.
A girl was born and grew up in the deepest jungle of the Amazon, Colonia, that rests on the back of the most powerful Mother Spirit in the Amazon, Turtle Motelo Mama. One day she discovers that her homeland is being threatened and realizes that there are other humans in the world besides her people. As she fights to save her paradise against the greed and exploitation of children, logging, and illegal mining, she begins to struggle to reverse this destruction and impending evil of the Yucuruna, the darkness that lives in the Amazon. Guided by her mother’s spirit, Ainbo is determined to save her land and save her people before it’s too late.
Traditional Sunday dinners at Mama Joe’s (Irma P. Hall) turn sour when sisters Teri (Vanessa L. Williams), Bird (Nia Long) and Maxine (Vivica A. Fox) start bringing their problems to the dinner table in this ensemble comedy. When tragedy strikes, it’s up to grandson Ahmad (Brandon Hammond) to pull the family together and put the soul back into the family’s weekly gatherings.
Grace Metalious’ once-notorious bestseller Peyton Place is given a lavish — and necessarily toned-down — film treatment in this deluxe 20th Century-Fox production. Set during WWII, the film concentrates on several denizens of the outwardly respectable New England community of Peyton Place. Top-billed Lana Turner plays shopkeeper Constance McKenzie, who tries to make up for a past indiscretion — which resulted in her illegitimate daughter Allison (Diane Varsi) — by adopting a chaste, prudish attitude towards all things sexual. In spite of herself, Constance can’t help but be attracted to handsome new teacher Michael Rossi (Lee Philips). Meanwhile, the restless Allison, who’d like to be as footloose and fancy-free as the town’s “fast girl” Betty Anderson (Terry Moore), falls sincerely in love with mixed-up mama’s boy Norman Page (Russ Tamblyn).
Jesús, a young hairdresser, works at a Havana nightclub for drag performers, and dreams of being a performer himself. Encouraged by his mentor, Mama, Jesús finally gets his chance to take the stage. But when Angel, his estranged father, abruptly reenters his life, his world is quickly turned upside down. The macho Angel, recently released from a 15-year stint in prison, tries to squelch his son’s ambition to perform in drag. Father and son clash over their opposing expectations of each other, struggling to understand one another and reconcile as a family. Shot in a gritty neighbourhood far from the Havana most tourists know, Viva is a heartrending story of music, performance and survival.
Featuring performances by popular artists of the 1960s, this concert film highlights the music of the 1967 California festival. Although not all musicians who performed at the Monterey Pop Festival are on film, some of the notable acts include the Mamas and the Papas, Simon & Garfunkel, Jefferson Airplane, the Who, Otis Redding, and the Jimi Hendrix Experience. Hendrix’s post-performance antics — lighting a guitar on fire, breaking it and tossing a part into the audience — are captured.
With a young daughter, two baby mamas, and his own mama breathing down his neck, Ronald “R.C.” Carr has got more ladies in his life than he can handle! He’s one hit song away from fame and fortune as a music producer, but he can’t seem to find the rhythm that makes him a good, reliable father. Between his love interests scheming to get him to settle down and his unresolved issues with his own father, R.C. has got some growing up to do. It’ll take finding the right harmony of love and forgiveness to be a real man and a true father.
It’s the final chapter in the cult classic Class of Nuke’Em High Trilogy, and this time the fate of Tromaville hangs in the balance! Following the destruction of the Nukamama Power Plant by the lovable and horribly mutated toxic squirrel Tromie. Roger Smith (Brick Bronsky) and his half-subhumanoid son Adlai (also played by Brick Bronsky) are working to rebuild Tromaville into a place where human and subhumanoid can live together in peace. Unbeknownst to them, Adlai’s twin brother Dick (again played by Brick Bronsky!), kidnapped at birth and raised by the evil Power Clite, has plans to regain contol of the Subhumanoids and turn Tromaville into a nuclear waste dump. In a showdown for the ages, “The Good, the Bad and the Subhumanoid” face off in an explosive sci-fi battle of epic proportions!